A documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."

At fading indie horror studio, its owner Jefferson, and his nephew Caleb, a young horror movie obsessive and aspiring makeup artist, finally gets his “little break” when Jefferson assigns him to work on a B-list movie about a vampire. There, he encounters another makeup artist, Ginni, with whom he feels he can share his vulnerabilities, as well as an unsupportive rival, Todd.

A young draft dodger helps militant Native Americans in their protest against the government at Wounded Knee.

A journey through history

A middle-aged suburban woman is haunted by what she believes to be a bird that is stuck in her house, convincing those around her that she has lost her mind.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

SIESTAS & OLAS is a surf-cult classic, having shown in over 50 cities around the world and selling tens of thousands of copies. It's a travel adventure with great surfers, excellent waves, and warm insights into Mexico's culture and coast... The film is clean and is appropriate for the whole family.

After a brilliant university student is rejected from a prestigious research program, his subsequent investigation uncovers the shocking truth about the nameless, timeless society in which he lives.

A man is travelling on a long haul express train journey from Amsterdam to Paris. He shares his sleeper compartment with another man who he engages in conversation. He learns that the man is a cannibal who intends to kill and eat him. The man is unsure of where his life is going and begins to be swayed by the cannibal's assertions that being eaten would give his life meaning and purpose. However, how long can the man stall for, with questions on the finer points of eating someone?

A retrospective look back at Jim Henson's 1986 fantasy film 'Labyrinth'.